South Leeds isn’t just where The Bitter Mass began — it’s the emotional heartbeat of their music. Born from the collaboration of longtime friends Andy Clare, Dom Grace, and Martyn Wilson, this project blends sharp lyrical insight with lush, melodic production that digs deep into themes of love, class, and place. Their new single, “Anywhere Girl,” is no exception.
At first listen, “Anywhere Girl” floats along as a sun-drenched, piano-led track — warm, catchy, and full of charm. But peel back the layers, and you’ll find a powerful exploration of identity and belonging. Inspired by a political essay examining the divide between “somewheres” — those rooted in their hometowns — and “anywheres” — people drawn to a more transient, global lifestyle — the song captures the quiet heartbreak that can arise when two people love each other but aren’t aligned on where they belong.
LISTEN to “Anywhere Girl” HERE
“We’re not trying to be part of a scene or recreate some golden era,” says Dom, who pens the band’s lyrics. “We’re writing about real life — working-class lives, long-distance friendships, and the things that don’t always get sung about.”
Andy, who delivers the vocals and handles much of the musical side of things, splits his time between studio sessions and working as a full-time train driver — a detail that beautifully captures The Bitter Mass’s grounded, real-world ethos. The band’s music isn’t about escape — it’s about reflection, staying rooted while the world moves around you.
With “Anywhere Girl,” The Bitter Mass shows how a simple story — of love, place, and identity — can carry universal weight. It’s music for people often overlooked, crafted with honesty, empathy, and care.
We caught up with the band to talk about the origins of the song, how geography and identity influence their work, and what’s next for The Bitter Mass.
Exclusive Interview with Exposed Vocals
Exposed Vocals: “Anywhere Girl” captures a sense of both belonging and displacement. What inspired you to explore those themes in this song? Additionally, the track was influenced by a political essay about “somewheres” and “anywheres.” Can you share how that concept shaped the songwriting process?
The Bitter Mass: “Politically the UK is split not just in terms of who we vote for but where we live and what our expectations and aspirations are. It’s not a question of good and bad, right and wrong, it’s more nuanced than that but there is definitely a split between anywheres and nowheres – the outlook that defines where we feel we fit in.”
Exposed Vocals: Andy, as both a train driver and musician, how do those two worlds influence each other creatively?
The Bitter Mass: “They don’t have any bearing on each other. I only work to pay for the music! And I do so under protest.”
Exposed Vocals: You describe your music as rooted in your working-class upbringing in South Leeds. How does that background continue to shape your sound and storytelling?
The Bitter Mass: “We’re proud of where we’re from and make music that shows that. I like to think our music displays the good and bad that working class communities live through, whilst keeping their humour and self respect intact.”
Exposed Vocals: What was the recording process like for “Anywhere Girl”? Were there any particular moments or challenges that stood out?
The Bitter Mass: “Everything is recorded at my home studio in Salisbury except lead guitar which Martyn records at home in Leeds. Obviously it can be challenging fitting the time music production takes around work and home life. We wanted a more polished, current sound for this one.”
Exposed Vocals: The Bitter Mass’s songs often blend introspection with social observation. How do you strike a balance between the personal and the political in your music?
The Bitter Mass: “All our songs are emotional and personal. We keep away from politics as much as we can. We leave that to others.”
Exposed Vocals: You’re now based in different parts of the country — how does that distance affect your collaboration and songwriting dynamic?
The Bitter Mass: “One of the best things about modern tech is that we can collaborate over distance. It’s not as good as being in the same room jamming, but it’s a pretty close second. I think the distance means we spend more quality time getting it right due to the back and forth, than we would otherwise.”
Exposed Vocals: The band’s name, The Bitter Mass, has a strong emotional resonance. What’s the story behind choosing it?
The Bitter Mass: “We wanted multiple meanings with the name. We were brought up as Irish immigrant catholics and turned our backs on the church in our teens, so there’s that element. Then there’s the weight of the past that we all carry into the future.”
Exposed Vocals: Outside of “Anywhere Girl,” what’s next for you — are there any upcoming releases, performances, or projects fans should know about?
The Bitter Mass: “We’ve got an album of new material ready to go and a new single out in the coming weeks. I’m planning on doing some acoustic gigs too.”
Exposed Vocals: Lastly, what message or feeling do you hope listeners take away from this new single?
The Bitter Mass: “That difference is ok. Just because someone has a different outlook doesn’t make them your enemy.”
With “Anywhere Girl,” The Bitter Mass continue to carve out a space for honest, heartfelt songwriting that speaks to the everyday lives of people often left out of the mainstream narrative. Their music doesn’t shout — it resonates. As they prepare to release more material and take their sound to intimate stages, it’s clear this band is rooted not just in place, but in purpose. Keep an eye on The Bitter Mass — their stories are just getting started.
